Religious Images of the Byzantine EmpireFrom the fourth century until the mid-thirteenth century , Constantinople was the epicentre of a new Roman Empire that gave full noesis to the burgeoning Christian religion , which remained at a constant contact with its evidently pagan past . Founded by the great Christianized emperor butterfly moth Constantine , the city was to be a platform of this newly unfastened belief system , as can be seen at the multitude of notable subterfugeworks and architectures found all throughout this lifesize city . Reflecting the a newfound fascination with known figures of Christian mythology , these religious blindworks became central to the Byzantine way of life as it became critical to how the people situationed this new religion . According to art scholar Robin Cormack (2000 , these works did not just incorporate an aesthetic manipulation but also served as a revered icons or [props] in the face of joy and rue , happiness and pain (Cormack 2000 , pg . 2 , much like how we spatial relation modern Christian art works today . For this , we shall bear at some of the art and architecture of that era and how it has served its invention during this significant period in our historyThe most notable and epitomizing twist of the Byzantine Empire , the Hagia Sophia is a marvel of architecture , its hit and importance permeating until this modern age . Once the largest church service building , it was the symbolic center of the city (Cormack 2000 , pg . 39 . It stood as an impose organize , with a domed main structure and four...If you require to get a full essay, order it on our website: OrderCustomPaper.com
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