From Classical Hollywood to New Hollywood Essay

The plastic learns lift Without a exercise and seemly and Clyde offer two prime examples of the difference between Old Hollywood and unused Hollywood. bob up Without a Cause was released in 1958 and, although it pushed the envelope for movies at that magazine, it still was very much a depiction of Old Hollywood. honest and Clyde released in 1967 was one of the first films of New Hollywood in that its affiliate, performing and storyline moved it into a bleak generation of filmmaking.In this motif I will analyze these two films and contrast their incompatible ports and besides show how Bonnie and Clyde set a new standard in the filmmaking industry. I will in like manner look at readings from class and fix from them in order to back up my discussion. Rebel Without a Cause (Old Hollywood) If I had one day when I didnt possess to be all confused and I didnt have to get hold that I was ashamed of everything. If I felt that I belonged someplace. You know? (Rebel Withou t a Cause, 1958). This cite was from the protagonist Jim Stark who is a 17 year old whose parents in force(p) moved to Los Angeles.His parents fight often in straw man of him and his mother is very domineering toward his father and Jim doesnt like this. He feels his dad is not man enough to stand up for himself and he sees him as being week. Even though his father loves him a split up and shows him affection, Jim wishes he was to a greater extent of a man. Throughout the movie he tries to distinguish him that he needs to just stand up for himself and set a good example for his son, but his father doesnt get it. Hes just too used to being bullied around by his mother. Jim point goes so far as to say that he never wants to end up like his father.This was just one of the many films during the fifties that depicted the youth of America as being insubordinate and not having the same moral makeup as past generations. This film also looks at parenting styles and how they affect the youth at that time. The main character Jim always gets into trouble as a result of his confusion and detachment from his parents. The style in which the film was do goes right on with what was being do in that era. The acting, at times, was very over dramatic and the dialog was thin and very clean.The high school kids were rebellious and got into fights, but thither is very little blood and the discourse was very civil. Up until the fifties, the movie business had grown exponentially and was dominated by about octad different studios located in Los Angeles. Small budget films were being made at the time but wouldnt make money just now because the Giants had all the talent and money to produce large-scale productions. At that time it was also accepted that the larger the amount of money put into a film, the more it would make.It was published to the public amounts that were invested into the films (Maltby, 113 125). In the postwar period, the foreign grocery store became an even more important source of income to Hollywood. By the early 1960s foreign sales generated about half of the majors revenuesbut quite of bringing European stars to Hollywood, American production migrated abroad (Maltby, 127). So naval division of New Hollywood was its presence abroad and actually take and producing films in foreign nations. However, not many were ready for the movie that, in essence, changed how filmmaking was done.Bonnie and Clyde (New Hollywood) This heres Miss Bonnie Parker. Im Clyde Barrow. We rob banks. (Bonnie and Clyde, 1967). Directly influenced by the French New Wave style of cinematography, Bonnie and Clyde broke all of the rules associated with Old Hollywood. The film represent sex and force on a graphic level not really ever seen before. And, although, the movie started out as sort of a comedy, it quickly turned dark as the violence began. Many different societal taboos were broken regarding sex and violence.This new style also include a more r eal form of filming in that it was more graphic and the filming itself was more choppy. The comedic way that it depicted violence along with its quickly shifting tone toward the dark side of violence was something new at the time. Since the production of Bonnie and Clyde many others followed suit in its capable display of sex and violence in the movies. The impression created is one of restlessness, disquiet and a palpable sense of sexual hunger and proneness (King, 12). Clyde is a thief that meets up with Bonnie while hes onerous to steal her mothers car.She falls in love with him and they go on a bank-robbing spree together. As they get better at what they do, the level of violence is escalated and the amount of gore depicted in the film rises. Sexual overtones are constant and this entire concept of glorifying sex and violence on film was spot new at the time. During the late fifties and sixties, times were tumultuous in America and Hollywood cinema reflected that. qualifica tion connections between Hollywood movies and the times in which they appear is not as straightforward a business as it might often appear.Sometimes, however, the shield seems more clear-cut the times are such that they appear to chew the fat themselves forcefully on our consciousness, unmistakably invading the terrain of popular entertainment such as Hollywood cinema (King, 14). Because of social events and tragedies that were taking place in that era such as the Kennedy assassinations, the assassinations of Martin Luther King Jr. and Malcolm X, people were longing for films that helped express how they were feeling. ConclusionBoth movies were epic pictures that were preserved in the join States Library of Congresss National Film Registry and even though their release dates were only twelve years apart, watch them makes you feel as if they were made in completely different eras which, in fact, they were. Rebel Without a Cause, arguably James Deans best film, sort of represent s the innocence of America at that time. You feel as if you are watching something that would be rated G today, or would be on the Disney Channel. Bonnie and Clyde represent the direction that America was moving in.People might not have been ready for it at the time, however, they went to the theaters in drones to see it. It was the start of a brand new era in filmmaking and stands to be one of the founders, if not the founder, of New Hollywood today. Works Cited Bonnie and Clyde Memorable Quotes. (1967). Retrieved from http//www. imdb. com/title/tt0061418/quotes King, G. (2002). New Hollywood Cinema An Introduction. New York I. B. Tauris & Co Ltd. Maltby, R. (1995). Hollywood Cinema. Malden, MA Blackwell Publishing Ltd. Rebel Without a Cause Memorable Quotes. (1955). Retrieved fromhttp//www. imdb. com/title/tt0048545/quotes